Happy Valentine’s Day! It seemed like the prefect way to celebrate the most romantic day of the year by welcoming back husband and wife authors Clay and Susan Griffith to talk about ‘Everyday Romance with a Wife and Husband Writing Team Working to Make Their Heroines and Heroes Work Together.’ And if you haven’t already seen that teamwork in action, you need to read one of my absolute favorite books from 2010: THE GREYFRIAR: The Vampire Empire Book 1. I still get goose bumps thinking about that near perfect blend of paranormal and steampunk (read my 5/5 review HERE).
The action is exhilarating, the vampires are refreshingly sinister, and the love story a gentle force so captivating that I truly believe it will weather even the most daunting obstacles. – My review
The next book in The Vampire Empire trilogy has a title now, THE RIFT WALKER and will be released in September 2011. Here’s a teaser about the story:
The story will take you to new societies (both human and vampire) and show you much more of the world made by the Great Killing. But at its heart, the book is a story about characters (both human and vampire), the ones you came to love in The Greyfriar, and new ones too. As with the first book, it's a pulp adventure story with romance, steampunk style, dark fantasy angst, against a background of epic politics and war. Oh, and vampires.

Are You Even Listening to Me?
Everyday Romance with a Wife and Husband Writing Team Working to Make Their
Heroines and Heroes Work Together.
by
Clay and Susan Griffith
There has been a lot of chatter about how woman and men speak the same language differently. Scholars. Pop psychologists. Talk shows. Comedians. Everybody talks about it. And it’s true, the genders do say things differently, and hear things differently. And if you really want to test those miscommunication theories to the breaking point, just put a woman and man together on a writing project. Oh, and make sure they’re married. That’s us. It’s hard enough for us to decide what to have for dinner, imagine how hard it is to decide how to nurture a developing relationship between heroine and hero.
It could be the prescription for divorce.
Or it could be a constant example that no disagreement is as bad as it seems. Be patient. Pay attention. Be quiet for a second and listen to the other person. Take some time and think about what the other person is saying. And, guess what, most of the time we’re talking about the same thing. We’re on the same page, we’re just using different words to describe it.
While writing the Vampire Empire series, we have run up against a lot of disagreements. What should this character do in this situation? Why would she react so negatively? I don’t think he’d say that. No man acts like that. Women don’t think that way. If she does that in chapter 5, the whole book falls apart. Do you even understand what this book is about? Oh my God, this is a disaster! And so on…
Every few weeks (or days), we have a disagreement (or argument) over some element in the book. And it’s always about something major. There’s no sense in arguing about small stuff; that all takes care of itself. But the BIG stuff is trouble. Princess Adele is all about duty to her nation. No, Adele is about love for Greyfriar above all else. Flay is cold and calculating. No, Flay is fraught with emotional distress. Senator Clark is an idiot and has to fail. Yes, Senator Clark is an idiot, but he is also a tactical genius and knows how to fight a war. Greyfriar is all about retribution. No, Greyfriar is all about salvation. No reader will understand that reference! Well, I understood it!
Any time these disagreements rear their heads, it suddenly seems like we’re working on different novels. How can we work together when we don’t have the same vision? If it’s truly co-written, why should one person run the whole thing? Is he calling me stupid? Why doesn’t she understand what I’m talking about? How did we even get this far when we clearly don’t see eye to eye on this project on any level?! There might be angry words. Eyes rolled. Cold stares over coffee cups. Hands thrown into the air in desperation.
But then something amazing always happens. Despite our best efforts to support and preserve our own point of view, we start to think about what the other person is saying. Hmm. Adele is in love with Greyfriar, but she loves her country too. Should she leave him and return to her life of duty? Duty and devotion have to balance, and we both know that. Yes, Flay IS cold and calculating, BUT she is also vulnerable. Her life is based on savagery and war, but how much would she surrender for Gareth? One point of view doesn’t erase the other. Nobody is all one thing. Every character needs to have flexibility to have any sense of realism, even in a fantasy novel. No one is all good or all bad. No one is always wrong. And no one is always right.
And that applies to authors too.
Then you realize we’re not that far apart. We’re really talking about the same thing although we may be approaching it from a different angle. You may be accentuating your side over my side, but ultimately, the visions that each of you have are not contrary. They’re just slightly different. Nothing a little give and take can’t fix. Ultimately, we have the same vision after all. We’re both on the same road and we’re going in the same direction.
It’s a great moment of relief. No more harsh words. No more glares of disbelief. Just smiles and hugs, and back to work with a renewed joint purpose. It’s a wonderful moment to be on the same page again. There’s nothing quite as exciting as being in agreement.
Until the next time when we come at the same problem from different directions. And there are more snide comments and rolled eyes.
But, you know, the fact that the last time we came to an impasse, it all worked out, means that it will eventually work out this time too. There will be some pushing and shoving of opinions, then some listening and consideration, then a consensus and understanding. It’ll all work out.
We haven’t been together this long to screw it up now.
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Clay and Susan Griffith are the authors of The Greyfriar: Vampire Empire Book 1 (Pyr Books). The second book in the Vampire Empire trilogy, The Rift Walker, will be published September 2011. They are a married couple who have written and published together for more than a decade. Their credits not only include several books, but also numerous short stories published in many anthologies, some featuring noted genre characters like Kolchak the Night Stalker and The Phantom. They've also written for television and published graphic novels featuring characters such as The Tick and Allan Quatermain.
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THE GREYFRIAR: VAMPIRE EMPIRE BOOK 1
Available now


Description
In the year 1870, a horrible plague of vampires swept over the northern regions of the world. Millions of humans were killed outright. Millions more died of disease and famine due to the havoc that followed. Within two years, once-great cities were shrouded by the gray empire of the vampire clans. Human refugees fled south to the tropics because vampires could not tolerate the constant heat there. They brought technology and a feverish drive to reestablish their shattered societies of steam and iron amid the mosques of Alexandria, the torrid quietude of Panama, or the green temples of Malaya.
It is now 2020 and a bloody reckoning is coming.
Princess Adele is heir to the Empire of Equatoria, a remnant of the old tropical British Empire. She is quick with her wit as well as with a sword or gun. She is eager for an adventure before she settles into a life of duty and political marriage to a man she does not know. But her quest turns black when she becomes the target of a merciless vampire clan. Her only protector is the Greyfriar, a mysterious hero who fights the vampires from deep within their territory. Their dangerous relationship plays out against an approaching war to the death between humankind and the vampire clans.
Vampire Empire: The Greyfriar is the first book in a trilogy of high adventure and alternate history. Combining rousing pulp action with steampunk style, Vampire Empire brings epic political themes to life within a story of heartbreaking romance, sacrifice, and heroism.
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